- Published on DATE
Danshoku Dino
Danshoku Dino, a wrestler with a name that defies explanation, has been confounding fans and promoters alike since his debut in the late 1990s. Born Akiru Miyashita on May 18, 1977, in Hiroshima, Japan, this unlikely icon has carved out a niche for himself as a technician and comedic force to be reckoned with.
Standing at 5'10" and weighing in at 103 kg, Dino's physical presence is imposing, but it's his eccentricities that truly set him apart. His ring attire, which includes a distinctive red hat and matching trunks, has become iconic, and his penchant for using humor to disarm opponents has earned him a devoted following.
The Early YearsMiyashita's journey to becoming Danshoku Dino was anything but conventional. A fan of professional wrestling since childhood, he began training in the art of puroresu (Japanese-style wrestling) at the age of 20. His early years were marked by stints on the independent circuit, where he honed his skills and developed a reputation for his technical grappling abilities.
The Rise to ProminenceIt wasn't until Dino joined DDT Pro Wrestling, Japan's premier alternative promotion, that he truly found his footing. Under the guidance of veteran wrestler and booker, Kengo Shibuya, Dino refined his character and developed a unique blend of comedy and technical wrestling.
The Danshoku DriverDino's signature move, the Danshoku Driver, is a thing of beauty – a modified inverted DDT that has left countless opponents dazed and confused. But it's not just the move itself that makes it so effective; it's the comedic timing with which Dino delivers it, often accompanied by a wink or a smirk.
The Future is BrightAt 46 years young, Danshoku Dino shows no signs of slowing down. His passion for wrestling remains unwavering, and his ability to connect with fans of all ages has earned him a place among the pantheon of Japanese wrestling legends. As he continues to defy expectations and push the boundaries of what's possible in the ring, one thing is certain – Danshoku Dino will always be an unlikely icon, and we can't get enough of him.